10 Years Later: The Yale School of Architecture & what might have been

Model of Richard Meier’s proposed addition to the Yale School of Architecture.  Renderings: Richard Meier & Partners Architects, Model Photography: Jock Pottle

Model of Richard Meier’s proposed addition to the Yale School of Architecture.
Renderings: Richard Meier & Partners Architects, Model Photography: Jock Pottle

As a result of a 1996 planning study, Yale University decided to undertake the exterior and interior renovation of Paul Rudolph’s iconic Yale School of Architecture building along with a seven-story addition.

A number of proposals were generated from well-known architects such as Skidmore, Owings & Merrill, Richard Meier, and Beyer Blinder Belle. Gwathmey Siegel Kaufman Architects were finally awarded the $126 million project which included renovation of Rudolph’s original 116,000 sf building along with a 87,000 sf addition to be known as the Jeffrey H. Loria Center for the History of Art. The project was completed in 2008 and won many awards including the AIA NY State - Award of Excellence for Historic Preservation in 2009.

Rudolph meets Gwathmey Siegel Kaufman Architects Photo: Kelvin Dickinson, Paul Rudolph Heritage Foundation

Rudolph meets Gwathmey Siegel Kaufman Architects
Photo: Kelvin Dickinson, Paul Rudolph Heritage Foundation

To see what might have been, Richard Meier & Partners Architects has a page on their website that describes their original 2001 - 2004 proposal:


The proposed new building for the Department of the History of Art and for an expanded Arts Library is located adjacent to the Art and Architecture Building by Paul Rudolph of 1963. The two will be closely interconnected, and this integration reflects the time-honored interaction between the arts and architecture. Encompassing a total gross area of some 175,000 square feet, the new building rises seven floors above the street and has two levels below grade, following the sectional precedent of the Rudolph building.

A top-lit atrium, which accommodates the main reading room of the expanded Arts Library, connects the two buildings. It occupies a void adjacent to the existing structure, which Rudolph had envisioned as a courtyard in the potential expansion of his building. While the principal entrance is located in the new building, the original entry into the Rudolph building will be maintained with direct access into the original northeastern stair/elevator tower or indirect access up the adjacent grand staircase.

The ground floor is mainly given over to the reference library, but it also provides an auxiliary semi-public element, a small exhibition space and a café close to the main entrance. There are two lecture halls in the lowest level of the new building, which, together with Hastings Hall in the basement of the Rudolph building, constitute the new lecture complex.

The new building juxtaposes a small number of enclosed volumes – faculty offices and seminar rooms – with expansive spaces mostly clad in either translucent or transparent glass. In contrast to the “corduroy” concrete of the Rudolph building, the curtain walls and glass roofs of the new building act as membranes filtering natural light into the structure and creating a variety of light conditions according to the time of day and the season.

To see more of the proposal by Richard Meier & Partners Architects, click on one of the images below:

Celebrating Paul Rudolph on National Bath Day

October 7th is known officially as 'National Bathtub Day' to commemorate the introduction of the bathtub in England in 1828.

Paul Rudolph's contribution to the history of the bathtub may be best remembered as the Lucite tub that looked down into the kitchen at his residence at 23 Beekman Place.

What's not as well known is Rudolph's design for two bathrooms that appear in the book 'Sensuous Spaces' by Sivon Reznikoff.

According to Reznikoff::

In the mid-1970’s Paul Rudolph, the world renown architect, was commissioned to design a futurist bath. Recognizing the difference in bathing rituals performed by men and women, combined with the belief that we all need some time alone, he set out to design two baths that are now considered classics of sensuality.

Womens Bathroom.jpg

The bath designed for the female involved a very complex use of space. A gentle downward sloping floor simulates a natural outdoor setting complete with a running stream. Water is continually recycled through aluminum pipes embedded into an earth-colored carpet. The natural landscape concept is enhanced by the addition of smooth rocks and soft sponges strategically positioned to allow contact with bare feet. The low partition in the center of the room shields the bidet. A skylight centered within a copper dome allows a restful golden glow to wash the entire space. The large luxuriant tub and a screen for viewing films placed nearby produce an irresistible setting for relaxation. A contoured reclining lounge attached to the wall provides a place to read or enjoy the sun lamps installed above. Circular storage containers are placed along one wall and on another end a makeup counter was surrounded with small round mirrored disks that simulate a sparkling water surface.

Photo: Tom Yee

Photo: Tom Yee

Photo: Tom Yee

Photo: Tom Yee

For the man’s bathroom design, Reznikoff continues:

Mens Bathroom.jpg

Although the bath designed for the male was organic in form, it did not attempt to simulate the romantic natural setting provided for the female. The large skylight highlights the circular trapeze exercise bars placed directly under the dome. Copper sheeting is used both in the dome and throughout the space. A raised platform that runs along one wall contains the tub and also houses recessed storage.

Lights concealed in the bottom of a circular pit built into the center of the floor are reflected in the soft copper color of the walls and ceilings. Intended to simulate the warmth of glowing coals in an open campfire, it provides an inviting place to relax. When the pit was not in use it was covered with an exercise pad.

Photo: Tom Yee

Photo: Tom Yee

Photo: Tom Yee

Photo: Tom Yee

Paul Rudolph: The Personal Laboratory Opens at Modulightor

Thank you everyone for making the Opening Reception of our exhibition 'Paul Rudolph: The Personal Laboratory' a great success! For more information about the exhibition, follow this link: https://www.paulrudolphheritagefoundation.org/centennial-exhibition/

Rudolph replica rises in Palm Springs

Photo: Peter Blackburn

Photo: Peter Blackburn

A full-scale replica of Paul Rudolph's iconic Walker Guest House is being constructed in Palm Springs California as a special project of Palm Springs Modern Committee in partnership with Sarasota Architectural Foundation.

Photo: Peter Blackburn

Photo: Peter Blackburn

Thank you to Peter Blackburn for giving us permission to share his photos while he is directing the installation!

For more information, visit the Palm Springs Modern Committee's website here: https://psmodcom.org/walker-guest-house-replica/

Center for Architecture students visit the Foundation

Students attending the Center for Architecture’s pre-college program visit the Modulightor Building and sketch some interior and exterior views. Continuing Paul Rudolph’s tradition of gathering students to experience, discuss and sketch this unique work.

Thank you Tim Hayduk of the Paul Rudolph Heritage Foundation for the great photos!

Foundation welcomes Center for Architecture high school students

Students from the Center for Architecture.  Photo: Tim Hayduk

Students from the Center for Architecture. Photo: Tim Hayduk

Center for Architecture high school studio class visits the Modulightor Building.